On the Contrabass mailing list the past couple days there’s been some talk about low flutes, and about how a pitch-shifted concert flute will not sound quite like a real bass (or whatever) flute, but might at least convey the idea in the absence of a real bass (or whatever) flute sample. So I decided to do some flute pitch shifting and post the results. I started with a file from Wikimedia commons, a performance of Debussy’s “Syrinx”, and pitch shifted it using Audacity. I converted the original and the shifted versions to MP3 since Ogg support is still patchy.
Here’s the information and attribution for the original:
| Description | Syrinx
Recorded at Brechmin Auditorium, University of Washington, October 2006 by Stephen Bangs. Sarah plays a Miramatsu silver flute, a=442. |
|---|---|
| Date | |
| Source | The Al Goldstein collection in the Pandora Music repository at ibiblio.org. |
| Author | Sarah Bassingthwaite (flute) |
| Permission (Reusing this file) |
The license information states that this file is “available for free download subject to the EFF OAL” (Open Audio License), which in turn is interchangeable with the CC-BY-SA-2.0. |
And here are the MP3 files of the original and shifted versions:

So what’s the verdict? I have neither ears nor experience to form an opinion.
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One person on the Contrabass mailing list said ‘the “syrinx 36” soundfile sounds remarkably like a real sub-contrabass flute.’
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Did anyone try using a pitch shifter for live performance on the flute?
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